How did you start your career as a travel writer? When I graduated from university, totally unsure about what to do with myself, I met up with two old high school teachers at a bar. They convinced me that the thing to do was go backpacking by myself through Europe until my money ran out.
National Still Life Award seeks to highlight the diversity and vitality of still life in Australian contemporary art practice, broadening the interpretation of this enduring genre.
Curated by Kon Gouriotis and Lucy Stranger. Click here for more information. Conservation as a mutable and mutational act is explored in the work of Penny Byrne, as she manipulates collectible objects with an infusion of contemporary content and context.
For more information please contact This is No FantasyMelbourne. This project is supported by the Regional Arts Development Fund. Artist Statement about The Write to Be Forgotten I make paintings that investigate objects and ideas that are threatened by redundancy or are in different states of change, largely due to advances in digital technologies.
In the past I have made paintings of abandoned libraries and archive settings, as well as objects such as books and magazines that speak to the aesthetics of collection, abundance and abandonment. This work is from a new series of paintings that develops from my earlier practice, by considering ordinary objects related to the practical tools used in offices, record keeping and work environments.
The work recognizes the environmental impact of our day to day life, as we forfeit mountains of trees for mountains of paper. The work suggests that a benefit in the move from the physical to the digital, is that fewer elements of the natural landscape will be forfeited for the sake of human needs.
As well as acknowledging the environmental impact of the physical workspace, the work also addresses the conceptual impact of the modern work environment. These Post-it mountains, far from calming or picturesque, are anxiety-inducing reminders of work yet to be done.
It is known mainly by its application in the digital arena, where people can request that information about their histories be removed from search engines. This is an apt metaphor when discussing the ubiquitous movement from the physical to the digital, as we increasingly disregard the hand written in favor of the typed.
A consequence of this new working environment being that any document, email, meeting or memo is recorded in storage clouds and virtual space, instantly retrievable and shared.
In their painted form, these once useful implements become signs of failure, their relevance and practicality all but redundant as we witness the decline of traditional record keeping and knowledge gathering. The stark blankness of these sticky notes without inscription are reminders of how much of working life has now become transparent, where nothing can be forgotten, but they also raise questions as to what might be lost.
Victoria Reichelt Image: Scenes of the future epoch, where traces of people exist in ghostly ways. A shelf of archive boxes with handwritten notations, a drawer of catalogue cards left open as though the librarian had mysteriously vanished, an office chair without the body it ordinarily supports.
As library and archive spaces morph into burgeoning hubs of new media, their abandoned back rooms remind us that the ruins of the future will not offer the picturesque decay of romantic crumbling walls.
Instead, the modern ruin will be a stark and silent place of grey concrete corridors, where even the intensity of industrial colour will vanish into darkness and decline.
Reduced to their most bare and lifeless forms, these future ruins offer an opportunity to speculate about the fate of materiality. While a legal judgment and a work of art may appear to be very different things, in fact they share many commonalities.
Both lawyers and artists employ reasoning and perception in their practices and their work is subject to scrutiny, review and critique. The artists will offer audiences a thought-provoking visual experience in discerning the art of law.
A series of artist-in-residencies is then planned for and beyond, where each of these artists will work with a legal mentor to more intensively explore a particular area of the law.The latest Technology news, reviews & opinion from The Sydney Morning Herald covering IT, Mobile, Internet, Social, Industrial & Research Technology and Science.
Melbourne's largest literary festival brings together fascinating talks and discussions by authors from all over the world.
Readers and writers from all walks o. For more than three decades, Melbourne Writers Festival has been bringing together the best writers, thinkers and performers from Australia and around the world . Melbourne Writers Festival (MWF) is an annual, Keynotes High-profile writers and intellectuals from across the world come to Melbourne to share thought-provoking insights.
Helen Garner 'This House Of Grief' and Salman Rushdie 'Freedom to Write' Louis de Bernières 'The Dust That Falls From Dreams'. The organiser screens feature films, documentaries, short films and animation from around the world in venues across the city.
The Hub at Town Hall returns, featuring exhibitions, talks, entertainment, a discount ticket booth and more. Regarded as the biggest model show in Australia, the Model Expo proudly showcases the popular hobby of plastic scale modelling and features over models from all over the country and the participation of up to 30 esteemed traders and 20 model clubs.