Martha Hale hates to leave her work undone and her kitchen in disarray, but she has been called upon to accompany a group of her neighbors who wait outside.
She has been asked by Sheriff Peters to assist his wife in gathering personal belongings for Minnie Wright, whom he has jailed on suspicion of murdering her husband. Peters, and George Henderson, the county attorney.
She pauses before crossing the threshold, overwhelmed with guilt because she had never visited in the twenty years Minnie, her girlhood friend, has been married. She nervously listens to her husband describe coming to the Wright place on their isolated country road the night before, because he wanted to convince John Wright to get a telephone and share the installation costs.
Martha hopes her husband will not incriminate Minnie, but his remarks imply the Wrights were not happily married. George Henderson takes notes as Mr. Hale tells how Mrs. Wright sat unemotionally rocking in her chair and responded oddly to his request to see her husband.
She calmly replied that although he was home, he could not talk because he was dead. Pleating her apron, she said he died of a rope around his neck while he was sleeping in bed with her; she did not know who did it because she was sleeping on the inside and she slept soundly.
That Minnie has murdered her husband seems clear to the attorney, but without her confession, he knows that a jury will want definite evidence, especially when trying a woman for murder. Seeking evidence of a motive, the sheriff looks around at the kitchen things, and Mr.
Hale comments with a tone of superiority that women worry over trifles. Peters instinctively move closer together and defend their neighbor as if she were a close friend. Hale questions whether the women would even know a clue if they came on it, the men leave the kitchen to solve the mystery.
Now alone to piece together the puzzle, the two women deduce from small details, such as spilled sugar not cleaned off the table, what must have happened the day John Wright was killed.
Martha suddenly understands that Minnie, once a lively girl who wore pretty clothes and sang in the choir, kept to herself after marriage because she was ashamed of her shabby appearance.
Peters realizes that a person gets discouraged and loses heart after years of loneliness. Peters whether she thought it was to be quilted or knotted. At that moment, the men come in. Laughing at the trifling question about the quilt, Mr. Hale mockingly repeats it.
When the three men leave for the barn, the women discover more clues. Peters sees erratic stitches, so different from the even sewing of the other pieces. Martha immediately pulls out the uneven stitches, despite Mrs. They recall how Mrs. Wright once sang so beautifully, and they think she no doubt had a canary because they see a birdcage.
Just as they figure out that John must have violently ripped off the birdcage door hinge and silenced the chirping canary by wringing its neck, the men return. When she is again alone with Mrs.
Peters, Martha describes her rage when a boy once took a hatchet to her kitten when she was a girl. Peters admits her loneliness while homesteading in remote Dakota after her baby died. How the men would laugh to hear their talk about such trivia as a dead canary, she says.
The story concludes as Henderson, who has failed to come up with incriminating evidence, facetiously remarks that at least they found out Mrs. Wright was not going to quilt the material; he asks the ladies to repeat the exact quilting technique mentioned earlier.
With her hand against her coat pocket, hiding the dead canary, Mrs.“Trifles” and “A Jury of Her Peers” written by Susan Glaspell was inspired from a true incident that Susan covered in the newspaper Des Moines Daily News as a reporter. Margaret Hossack was condemned for murdering her husband in his sleep.
A Jury of Her Peers Analysis examines the short story by American author Susan Glaspell. “A Jury of Her Peers” is a short story by American author Susan Glaspell.
It was adapted from her play Trifles, one of the earliest examples of feminist drama. Glaspell loosely based the events of the story on a murder case she had investigated during her career as a journalist.
In Susan Glaspell’s short story “A Jury of Her Peers” multiple themes are present such as freedom, compassion, and sympathy, but the main theme the author focuses on is .
Most critics agree that Susan Glaspell’s “A Jury of Her Peers” is, by far, her best short story. First published in Everyweek on March 5, , the work is .
Glaspell created a jury of those female peers in “A Jury of Her Peers”, because in real, females were not allowed as jurors in the court trial. This paper intends to discuss the main theme and focus of the play, along with the means and techniques the author used to communicate the idea.
Analysis Topic: “A Jury of Her Peers” Susan Glaspell’s ‘A Jury of Her Peers’” by Elaine Hedges Do not submit a paper that does not have at least four sources (meeting the requirements above) listed on the Works Cited page and used and cited in the essay body. A paper that does not meet source requirements will not earn a passing.